I didn't intend to walk over to the crowd gathered behind Ryan Adams' tour bus after the show last night, but I do lots of things I don't intend, thankfully. He was so gracious and patient--signed my EMU paystub that I'd fished out of the glovebox, and waited for me to get a picture with him before slipping back onto the bus to do whatever rock star music geniuses do after a show. I can't seem to download the picture off my cell phone. It would have been worth a few hundred words, if not a thousand (no flash!) So will you indulge me while I spin a tale about my concert experience?
I'm one of those old timey folks who thinks that it is insulting to the performer if the audience at a rock concert stays seated. The crowd tonight sat, so I sat. Turned out to be appropriate to the feel of the songs anyway. And often I closed my eyes and tried not to be aware of the uncomfortable couple seated to my right-- on a date that appeared to be not clicking-- and the stiff dressed up guys in front of me who seemed not to recognize the music -- and the older lady behind me who kept singing along. What is it with a crowd anyway, who won't be a crowd, but just a bunch of disparate points of pleasure-seeking all happening to be in the same place at the same time, but not connecting with each other? So there's communal experience at the football game I suppose (we GAVE AWAY great tickets a bigwig gave David to the UM Notre Dame game last time because we HATE FOOTBALL)... and people seem to still hope to get that at concerts. I felt very lonely at the concert tonight, which was partly an effect of the music and partly because I felt hostile to the crowd. I kept thinking about the arc of the performance and the process of getting drawn in. How do I do this in my philosophy classes with the kids? Teaching about consciousness and anguish has a certain charm, irrespective of the teacher, but I'd like to think my shtick is authentic. Anyway, being at the show reminded me of a time I was in Munich. Walking down a busy street I saw a man standing on the sidewalk facing the street. He was wearing a bowler hat and a crisp white shirt. He had a funny look on his face and I saw a leather case by his feet. It was almost creepy, like I'd seen a thin character from A Clockwork Orange. I looked at him and he looked at me and I thought: "What is he going to do?" He grinned and I kept walking. But just a few moments later he composed himself and began a street performance -- juggling and joking -- and had a couple hundred people stopping and watching him. I had caught his eye in the few moments before he began to do his "weird charismatic thing"... in the moments of gathering his nerve to stop foot traffic and garner the attention of strangers. I watched and fell in love-- not with what he was doing-- what he was doing was rather odd and unmemorable. I can't even remember now whether he was speaking in English or German. But charisma, yes, he had it.
Anyway, the concert was fantastic but it turned a corner into perfection for me when he sang "Peaceful Valley."
"All my life I've longed for forgiveness / But I can never seem to get enough / All my life I've been locked into the darkness / With a gun to my head / Trying to find a peaceful song / Trying to find a peaceful song / To sing when everything goes wrong / Till the peaceful valley calls me home"
Singing that song extended a hand into the souls of the audience in a unique way. Now I have to go to iTunes and find Peace in the Valley-- Johnny Cash, Mahalia, Elvis. I always loved that song as a kid but haven't heard it in ages. Maybe I'll try to sing it at Vespers next time.
In a Richard Brautigan poem are these lines...
A friend came over to the house a few days ago and read one of my poems. He came back today and asked to read the same poem over again. After he finished reading it, he said, “It makes me want to write poetry.”
That's it-- how you know something is inspired, because it literally inspires you. Watching a performance is one thing, but having it reach into your gut is something divine. An audience is stuck not being able to give back what it gets from a performer, and that, I think, is why the crowds at Ryan Adams' shows are usually so awful. Perhaps that doesn't make any sense.
As for violin-- Tess and I had a wonderful LONG practice yesterday afternoon, and she was tireless in her efforts.